Posted on June 20th, 2011 by adamdiehl
Now don’t run ahead of me for the answer. This is probably not a situation we encounter very often when we’re leading worship. However, I would like to address a vocal issue that all singers need to be using when communicating words of songs.
Have you ever been to a soloist or group concert? Maybe you’ve been to a vocal recital or an Opera performance sung in English. In these situations nothing is more frustrating for me than not to understand the words that are being sung by the performers.
In today’s worship settings churches use some way of letting the congregation see the lyrics of songs in a service. If your church uses some type of printed materials, you may not see the point of my presentation, but believe me; if you are part of a praise team this will be profitable to continue reading. If you are using a projection system, what would the congregation do if the bulb burnt out and they couldn’t see the lyrics? Would they be able to lean on the vocal team to use good vocal technique to communicate a clear, clean sound?
I realize the readers of this article may be at different levels of vocal training, development, and experience, but the principles are foundational to making individuals and the team as a whole good communicators.
Here then are some tips to gaining clear communication:
1. As a group, eliminate the vibrato. [If you are the lead singer on a verse I would encourage using your vibrato for energy and warmth] Too many “wiggles” can be a vocal disaster in pitch and blending. Remember a clean tone is the goal.
2. Practice reading the lyrics out loud. It will help in catching the emotion the songwriter felt. It will help to “mark” where you would normally breathe. It will help perfect your pronunciation.
3. When singing a long note, always “go for” and hold the vowel.
4. Consonants come in all varieties and flavors, i.e. dental, nasal, labial, pneumatic (hissers), and the “dreaded” R.
5. Always double-check the pronunciation of words. For example: does sure rhyme with her or poor. There is a difference. Or take the word because; does the second syllable sound like buzz or saws?
a. I’ll always remember an incident from my graduate work at IU in Bloomington. A young woman from Mississippi had a wonderful southern accent when she spoke, but at her recital her pronunciation was not tainted by her regional dialect. Also, remember the Beatles? They spoke with their typical “British” accent but when they sang no dialect was present.
6. Finally, be sure and communicate emotionally, don’t go into auto-pilot. Always use skillful, deep communication.
So, even if the bulb never burns out, putting these tip into practice with the help of your worship leader, will always make the vocal team good communicators.
This post was written by CMI pastor Joe Chiarelli, who is the assistant pastor and director of worship at Calvary Christian Center in Harborcreek, PA. He has an incredible voice; when he sings, he sounds the way I think I sound (chuckle, chuckle). He’s truly a gifted musician and I asked him to share a few tips to worship team vocalists. Thanks Pastor Joe!